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The unique windows of the Parisian museum are reminiscent of the intricate Arabic patterns seen in many buildings — but with a twist. The windows are composed of metal eyes that dilate according to outdoor light conditions. The interior is host to a changing and complex lighting effect that layers daylight from the 30,000 apertures. Since the kinetic wall is facing the south, the building controls thermal exposure and interior lighting with a single system. Read more: Jean Nouvel’s Stunning … Continue reading →

Here are some thoughts on process and materiality and how the digital translation of the photograph moves it into another, more ambiguous realm. My study of process and materiality will move past the technical specifications of the camera and traditional photographic processes, which have been explored in many ways by Adam Broomberg and Oliver Chanarin, Elen Carey, Silvio Wolf, Walead Beshty, Wolfgang Tillmans, etc. What I want to pursue involves a break down of the digitization of photography into a … Continue reading →

In light of the last, thesis year in my MFA program, a couple fellow students and I have decided to venture out and start a studio. While we have decided on a name, we have not decided on a logo. This should act as a place holder until we come to terms with what Sweet A.S.S. Studio really means. Here is a photo of the actual studio:

Morning Commute I 2009–2010 Edition of 7 Digital C print 30 x 30 inches Winston Wächter Gallery Margeaux Walter Crowded March 4 – April 24, 2010 “Winston Wächter Fine Art is pleased to announce its first solo show with photographer Margeaux Walter. Walter has long been interested in questions of identity and individuality in modern society. Using her own image in digital photographs and lenticulars (a printing process that creates an image that moves or shifts with the movement of … Continue reading →